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Focus

Saturday, March 15, 2008


I've been working hard again. March has become a month of in-process paintings.

Spring is almost here, although since I live in Southern California, I guess it might already be here. (Minus the random, rainy, cold days that fool you into thinking that Spring is not here.) I love spring, it's very inspiring. Buds are growing on the trees that surround my apartment and balcony. My beloved orange tree is blossoming, which is just the most glorious thing ever when I'm painting on the balcony. I often wonder what my neighbors must think of me when they see me out there. There's that crazy artist girl again, throwing paint around on her balcony.

Oh right, so I've been able to paint on the balcony again, because of the sunshine and warmth. :o) This makes me happy. Of course, now it officially makes sense for Colin and I to clean the balcony, and remove all the dead leaves that accumulated during Winter.

My goal right now is to keep my head down and work really hard, because my secondary goals are going to require a lot of paintings.

Everything in the world should glow.

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Beginnings . 12x24 inches . 2008

Thursday, March 06, 2008






1. natural lighting
2. artificial lighting
3. artificial and UV lighting combined
4. UV lighting only
5. no light


Ingredients: acrylic paint, beach sand, glass, and varnish on canvas.

I've been fine-tuning this painting since, oh... November, I think. By "fine-tuning," I mean restarting about 4 times. 5? I have no idea anymore. Needless to say, it has captured a great portion of my soul in the process.

In some ways, it's hard for me to look at it. I feel as though I've been looking at it for so long now. My vision has become blurry, and I see the many different paintings it almost was.

I think part of my difficulty was venturing out and exploring a new canvas shape. It's so long! Granted, I'm in love with horizons, so it seemed like it should be relatively easy.

I am very happy to have finally accomplished it. I'm actually well suited for this style canvas, so it would have been quite a pity had I not gained such experience points. In fact, I happen to have a shiny new 12x36 inch canvas staring me down from next to my work bench. I'm really excited to give it a whirl. Maybe not right away, though...

I should mention that, although you cannot see it at all, the painting is covered in those tiny glass pieces I've been obsessed with lately. It shows up as little white "dots" on the non-reflective sections, because that's all the camera flash can pick up. (See the second image above.) You'll have to trust me when I say (as I always do) that this is an incredible effect in person. Also, the greenish color in the glow image fades much more rapidly than the rest of the color, ultimately leaving you with a dark night sky filled with stars and magic that should last for hours. :o)

Of course I'm glad to have reached the end of this particular journey, but all that means is that I've cleared more mental space to begin something brand new. This art thing is addictive.

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How do you paint pure, beautiful insanity?

Wednesday, October 31, 2007













I don't feel I need to clarify that.

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